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\u2022\u00a0 Nothing Matters\u2014Unless We Make It So: Art, Mortality, and the Creation of Meaning<\/a><\/strong> (placeholder draft: to be submitted to journal forthcoming)\u00a0<\/p>\n \u2022 Journal article published in Current Writing: Text and Reception in South Africa, 37:1, 66-77 by Routledge (Taylor & Francis Group) \u2013 May 2025 The Truth about Truth: Lessons from Liver King, T20 Cricket, and Bitcoin<\/a><\/strong><\/p>\n \u00a0\u2022 Journal article published in Current Writing: Text and Reception in Southern Africa, 35:1 by Routledge (Taylor & Francis Group) \u2013 April, 2023 An Art of Nothing, an Art of Something: The Local in the Global or the Global in the Local<\/a><\/strong><\/p>\n <\/strong>\u2022 Artthrob: 25 Years of Art Writing in South Africa (2023): Hot air- COP17 and the art of climate change<\/a>\u00a0<\/strong><\/p>\n <\/strong><\/p>\n <\/strong><\/p>\n \u2022 Nominated by Jenny Stretton for Helgaard Steyn Award for Sculpture, 2017 Helgaard Steyn award_nomination_2017<\/strong><\/a><\/p>\n <\/strong><\/p>\n <\/strong><\/p>\n \u2022 Visi<\/strong> Magazine interview<\/a><\/strong> : August 27, 2013<\/p>\n <\/p>\n Seeing Red, Feeling Blue<\/strong> : Commune1 Gallery 02-30 May 2013 reviews:<\/p>\n \u2022 Seeing Red, Feeling Blue (2013)<\/a><\/strong>review: Jose’ Ferreira<\/p>\n \u2022 Seeing Red, Feeling Blue<\/strong> (2013) Interview: Q&A Greg Streak : Leigh-Anne Niehaus<\/a><\/strong><\/p>\n <\/strong><\/p>\n <\/strong><\/p>\n <\/strong><\/p>\n \u2022 Nothing lasts Forever Interview Greg Streak<\/a>\u00a0<\/strong> solo exhibition Soledad Senlle Gallery, Amsterdam<\/p>\n <\/p>\n \u2022 Harbour<\/strong><\/a> – group exhibition review: Peter Machen, artthrob, April 2009<\/p>\n <\/p>\n \u2022 Exhibition stimulates in an odd way<\/a><\/strong> – review of Social Pattern :\u00a0 Melvyn Minaar, Cape Times April6, 2009<\/p>\n <\/p>\n \u2022 New Connections – DUT Staff exhibition<\/strong> : 10 -29 March 2009 Mapping a Dyslexic Heart\u00a0 <\/a><\/strong>– compiled reviews: Professor Juliette Lieb Du Toit, Ian Calder, Andrew Verster<\/p>\n <\/p>\n Accumulative Disintegration<\/strong> : Bank Gallery 24 July – 21 August 2008 reviews:<\/p>\n \u2022 Things fall apart<\/a><\/strong>\u00a0review: Peter Machen, Weekend Witness, 16 August 2008<\/p>\n \u2022 <\/a>Holding it together is a part of it<\/a><\/a><\/strong>\u00a0review: Jose’ Ferreira<\/p>\n \u2022 Accumulative Disintegration – a critique<\/a><\/strong>: Carin Goodwin<\/p>\n \u2022 031 interview<\/a><\/strong>\u00a0: Vaughn Sadie<\/p>\n \u2022 The Art Cowboy reflective review<\/a><\/strong> : Peter Machen, The South African Art Times, September 2008<\/p>\n <\/p>\n \u2022 Bathed in Light – The Light Show<\/a><\/strong> – review: Peter Machen, The South African Art Times, February 2008<\/p>\n <\/p>\n Drift<\/strong> @ 1708 Gallery, Washington (Greg Streak & Ledelle Moe)<\/p>\n \u2022 Greg Streak + Ledelle Moe<\/a><\/strong> – review Dinah Ryan, Art Papers, p70, July \/ August 2007<\/p>\n \u2022 Primary Faith<\/a><\/strong> – Virginia Mackenny : catalogue essay for Drift<\/strong> 1708 Gallery, Washington, USA – 2007<\/p>\n \u2022 What Lies Between<\/a><\/strong> review: Andy Kozlowski, Style Weekly, January 2007<\/p>\n <\/p>\n \u2022 10 Years 100 Artists: Art in a Democratic South Africa<\/strong> 2004 Greg Streak by Kathryn Smith <\/a><\/strong>– a major publication to showcase what South African art looks like after a decade of democracy and the country\u2019s reintegration into the international community.<\/p>\n <\/p>\n \u2022 Hiv(e)<\/a><\/strong>\u00a0review: Brenton Maart, Art South Africa, vol. 02 issue 04,p78, 2004<\/p>\n \u2022 Making Art that Works<\/a><\/strong> – Zingi Mfeka: This Day (newspaper)<\/p>\n <\/p>\n \u2022 Outpost 11<\/a> <\/strong>review: Paul Edmunds, Art South Africa, vol 01 issue 02, p59 2002<\/p>\n \u2022 Artthrob Outpost 11 review Sue Williamson<\/strong><\/a>\u00a0 Artthrob Archive: Issue No. 63, November 2002<\/p>\n \u2022 Public Speaker\u00a0 <\/a>Outpost 11<\/strong> catalogue text: Virginia Mackenny<\/p>\n <\/p>\n \u2022 Violence \/ Silence review <\/strong>arthrob\u00a0\u00a0<\/a>Archive: Issue No. 60, August 2002<\/p>\n \u2022 Violence \/ Silence<\/a><\/strong> review : Nic Dawes \/ Kathryn Smith, Art South Africa, vol 01 issue 01 p50-51, 2002<\/p>\n \u2022 Disjunctive Dialogues<\/a> – Conversations across Boundaries<\/strong> – Virginia Mackenny: catalogue essay for Violence \/ Silence (group exhibition) July 2002<\/p>\n <\/p>\n \u2022 Flash Art<\/strong> : Group review \u2013 May \/ June 2001 p. 81<\/p>\n <\/p>\n \u2022 Artthrob Artists of 2000<\/a><\/strong>:\u00a0 Artthrob: January 2001<\/p>\n <\/p>\n \u2022 A feature on an artist in the public eye: Greg Streak<\/a><\/strong><\/strong> – by Virginia MacKenny, artthrob, February 2001<\/p>\n <\/p>\n \u2022 !Xoe off-site<\/a><\/strong> review: Paul Edmunds, artthrob, November 2000<\/p>\n <\/p>\n